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One woman reinventing herself in the gray, glass jungle.

Thursday, June 19, 2008

And Then We Came To...





So, I'm reading this novel, Then We Came To the End, by Joshua Ferris. A friend lent it to me about a month ago and I took to it immediately. To say it's about office culture wouldn't really do it justice, but it does embrace the intricacies of the office microcosm and explores them in squirm-worthy, knowing, lurid detail, all the while hinting at some sort of ending of magnitude. I'm not there yet, but I'm indulging in its many nods to the way functioning in an environment of unmemorable carpet and pressboard shelving can feel like a sort of robbery. Its cover is adorned, edge to edge, in blank yellow Post-It notes--a perfect homage to the empty confinement of spending our days sharing strange space with stranger people, and the surprising blankness of outrage.

I was engrossed last Tuesday night, as usual, when the following passage flew off the page and stopped my heart:

"There was so much unpleasantness in the workaday world. The last thing you ever wanted to do at night was go home and do the dishes. And just the idea that part of the weekend had to be dedicated to getting the oil changed and doing the laundry was enough to make any of us still full from lunch want to lie down and insist that all those who remained committed walk around us. It might not be so bad. They could drop food down to us, or if that was not possible, crumbs from their power bars and bags of microwave popcorn would surely end up within an arm's length sooner or later. The cleaning crews, needing to vacuum, would inevitably turn us on our sides, preventing bedsores, and we could make little toys out of any runs in the carpet, which, in moments of extreme regression, we might suck on for comfort. But enough daydreaming. Our desks were waiting, we had work to do. And work was everything. We liked to think it was family, it was God, it was following football on Sundays, it was shopping with the girls or a strong drink on Saturday night, that it was love, that it was sex, that it was keeping our eye on retirement. But at two in the afternoon with bills to pay and layoffs hovering over us, it was all about the work."

I read and re-read that chunk of text three times before closing the book and nodding off. As I slept it rattled around in my brain like a loose screw I could hear but couldn't locate--irritating, tinkling, eventually banging and demanding I notice it. It was still with me when I woke up. The bit about microwave popcorn (someone's always making that), the reference to runs in the carpet, the way Ferris reminds me how it's really the tiny details that become our undoing in an office rather than the major committments of sin by management against underling. In the end, it's never really the lack of recognition, the passing us over for a better position, the eternal underpaying and overworking. No, it's more the cumulative nothings, like the the fact that The Company didn't invite us to dinner with the huge client even though we scored her in the first place, the sudden end of summer Fridays, insistance that we not eat Chinese food in our offices because they don't like the way it smells, and interrupting our meetings to ask for their messages (of which there are none). It's those idiocies, minor in nature and major in number, that have combined in my work life to numb me nearly to death.

Wednesday morning after reading the above passage, I woke up. I sat in another meeting listening to another spiel about another "opportunity to be seized" and thought, 'I will no longer be someone's opportunity-seizer without real financial compensation for it.' There's just simply a limit to how much work I'll do for The Company for free. And we're way over capacity. Way, way over capacity. So in the afternoon, I walked into management's office and told them that we needed to re-examine my "compensation to contribution" ratio. I have no idea where I got that phrase, but I think the looming fear of falling asleep on a floor covered in microwave popcorn and carpet runs was beginning to unzip me. In response, The Company offered the requisite passive-aggressive reminder of what they've done for me, reminded me of how underpaid everyone in our office is (that's supposed to make it fine??) and ultimately said they'd do something.

The deal is this: I'm building myself a bridge over which to walk into a different life. This job has its term limit, and we're nearing it. It's the next big makeover on the Chrysalis plan and is perhaps the biggest steel anchor of all, weighting me to my old life. It's a place where I regularly allow myself to be undervalued, understimulated, unchallenged and undefined. I've got to insist, no, fucking demand that I save myself from suckling for safety on shreds of blue carpet.

I don't know what'll come of my request for better compensation. In the end, I think it's most important that I asked for it. That I knew to ask for it. I felt it the minute I left The Office--the deep sense that I'd set off a chain of events that couldn't be undone. I guess that was the point.

Tuesday, June 10, 2008

This Is Me


-"Your self-effacing charms are shot/

-Wake up now to what you are and what you're not/

-You can run, run, run/

-But you can't escape"
-- The Helio Sequence, You can Come to Me

I got dressed to these lyrics today in my empty bedroom. How appropriate. This whole experience of preparing to move has been like having one of those police highbeams shot straight into my center, forcing it to be exposed. I feel like my insides are a maze of closets. Every time I open one up and dust off the bag of postcards or box of shoes at the bottom, another door opens revealing more dust and denial. I've got a deeper closet than I thought--both in spirit and reality. But I'm emptying it slowly, learning a few things along the way and dammit, I can finally see the floor in there.

Cleaning out seven years' worth of me from the inside of our apartment has been one revelation after another. I've reaped the mini rewards of what I call "closet shopping"--browsing the racks in the back of your closet for items you haven't seen in years. In my case, I moved in in 2001 with items I hadn't seen since 1997. A single visit to the stacking cubes in the back of mine yielded the baddest-ass purse ever, featuring a comically huge zipper on the front, 2 pairs of jeans that actually fit, some strappy faux-snakeskin sandals, and a sexy granite colored Calivin Klein v-neck. I thought, 'whose clothes are these? She has really excellent taste. Score.' Lesson: I am in fact capable of picking out "timeless pieces". Nobody will know that purse is over a decade old.

On the very same closet-diving trip, however, I found another me lurking beneath the boxes of socks. Hiding in the racks was a girl who once went to high school in the suburbs and wasn't afraid to show it. I trashed the following: a pair of white overall shorts, a Gap cardigan from...wait...1994 (I know it's that old because I stumbled across a picture from my sister's junior high graduation in 1994 where I was wearing the hideous green button-up with a pair of plaid shorts), and a t-shirt displaying the following identifier: "bad attitude", in splashy type. Gone, all of it! I was ruthless, brutal. That entire section of my life is now at the bottom of a Staten Island landfill. Lesson: it's okay to let go--especially if "letting go" involves overalls of any kind.

Closet also being timeline, I spent awhile browsing the the mid-late '90s. Those were my moving-to-New-York years and they're really fun to revisit. I unearthed: one pair of steel blue vinyl platform heels from Halloween 1997 (relics from my Pamela Anderson costume), my three inch t-strap character shoes (the most elegant dance shoes ever made), and the real jackpot: a box of letters and postcards dated from the day I moved to New York, all through my two years in school and into life after. I took a couple of hours and re-read every one. Pulled from the wreckage were: my mother's written explanation for leaving my father, a greeting card from my grandmother for every single holiday (she was so good), letters of love and adoration of the kind you can only write when you're 20 and single, and postcards from my friends who all took show tours right after graduation through Iowa, Illinois, Kansas, Nebraska. They saw the entire country while I was busy figuring out how to install my first air conditioner in the summer of '97. Lesson: People have made my New York life what it is.

I'm starting to feel emptied out, liberated. I've held on to many things way past their reasonable expiration dates. Some of them need to be burned on a big, 'ol ceremonial pyre (hello, leather pants), some need to be dusted off and reshaped so they can be part of my life again, and some things need to go with me into the next dot on the timeline. Moving is exactly like those lyrics: waking up to what you are and what you are not. I'm definitely not my suburban high school shorts but I might still be a little bit steel blue vinyl. Whatever I am, I'm emptying out so I can make room for more life.