Don't Call Us...

Alright, an update is long overdue.

I went in to be seen for the beauty job. They didn't go for me. And while it was exactly the type of brand I want (I think) to work for: upscale, modern, fresh -- it was also kind of high-intensity. It appeared to be staffed largely by a gaggle of fluttering under-25s and there was a distinct Hills-y vibe to the environment: everyone in high-end flip flops and those ubiquitous shirtdresses that I'm starting to loathe. Every time I'm in a scenario like that I just feel so...dated. Yes, I was wearing my standard-issue wrap dress but it was far more Van Heusen than Von Furstenburg and I knew it. My husband always tells me if I'm apologizing for myself on the inside, I'm apologizing on the outside. So, I basically walked in wearing a nametag that said "Hello, My Name is Sorry".

I think I presented well on paper but it was one of the most intrusive applications I've ever filled out. They wanted to know my monthly rent, the make, model and year of my car, whether I was in debt and if I had ever indulged in alcohol on the job (clearly they see the two as related). I was absolutely quaking when they sat me down next to the other funky flower applying for the job on a worn, artsy-looking velvet couch. Prior to going in, I'd carefully placed a single precious, pristine white Xanax in the coin purse of my wallet in case of a panic emergency. This is something I sometimes do to stem the anxiety tide as a sort of insurance plan. I pretty rarely actually take them because they're long-acting and that's a big 12 hour committment to feeling soft around the edges. But knowing it's nestled in there alongside my dimes and quarters is sometimes enough to get me through an episode of tight chest and racing thoughts.

As I filled in the date at the top of the application my hands started shaking. It occured to me that I hadn't filled out a job application in ten years. And it was down the slippery slope from there. I lost my grip on the pen, feeling unable to correctly spell the word "July". I was certain the girl next to me in the gold Roman sandals was way ahead on her essay question about her accomplishments and disappointments and that I'd be left behind, stuck in the mire of reasons for leaving past jobs and professional strengths and weaknesses. Then I remembered the perfect white disk in my wallet. Somehow, in the ferocity of the moment, it occured to me to take it. Right there on the burgundy velvet couch. Next to Roman sandals girl.

And then I came down for a landing. 'You can't take fucking drugs right here, in front of a prospective employer who just demanded on their job application that you list the prescription drugs you're taking!' 'You can't take drugs when you go in to be seen for a job, period, even if they don't ask you what drugs you're taking!', I silently screamed at myself.

Wow, the whole process got me in a tizzy. I spent a day wondering whether they didn't call me back because I don't have a bachelors degree from FIT or they didn't like my answer to the "do you think everyone is basically honest?" question (yes). And then I talked to my mom, who reminded me that I'm interviewing them just as much as they're interviewing me. Yeah! With that in mind, maybe I didn't like the absence of low-end sandals in their office so much.

.

Seriously, I'm 32. I'm not applying for a part-time summer job at Sam Goody. I'm looking for the right thing. And I'm getting this internal message that that "thing" is probably much different from what I think I can do and where I think I belong. The entire point of this year has been that everything I've thought was one way is badly in need of a monumental shift. It's time to be open to possibility. I'm so feeling that. Whatever direction this bird is flying, I'm hitching a ride.

I wanna know what's out there.

Take This Job

Well, here I am nearly a week after my last post. I'm blonder, for sure. I told a friend that I feel like Amy Winehouse in reverse. If there was rehab for bottled hair color addiction, I'd be there, smoking cigarettes, wearing cutoff jean shorts and a trucker hat. The desire to be blonde was a good instinct. I've ended up with Aniston stripes on a Von Teese base--my for-the-moment homage to Anne Bancroft in The Graduate. The cliche is no bullshit--I do feel like I'm having more fun.

I'm taking my retro stripes abroad for 10 days where I'll once again be hawking lipstick to the masses. I leave tonight and nothing's done. I can't seem to get motivated. I'm reading email newsletters, slamming coffee, trying to G-chat my tech-poor father. I never do this. Usually, my suitcase is sitting by the door a day ahead of time, neatly packed, plane outfit folded into tidy squares on top. It's currently in the closet, screaming at me to fill it full of proper on-air wear, shiny baubles and shoes, "pocketbooks" and all manner of scrubs and sprays which I'll use to fluff myself into a presence.

Fact is, my head is elsewhere.

On Friday, I started submitting my resume. When I opened it up to print I saw that I'd last revised it in February. It's been ready to float out of my computer and onto the desks of eager employers for five months. And the funny thing is, the decision to finally get out there and start looking was so unceremonious. It wasn't a final straw situation or the dream of a Mary Tyler Moore hat-in-air moment that sent me to the fax machine at Kinkos. It was just. Simply. Time. I sent two resumes on the first day. That effort alone was enough for me to justify two agave nectar margaritas and a Modelo's worth of celebration to myself later that night. Just the doing of it--the breaking through the fear that there's nothing out there, that the search will be fruitless, that I still don't know what I want and won't be able to project it...the fear that someone might call me and I might have to go in and tell them who I am and what I want and represent myself was so drink-worthy, so "hell yeah, power to the people"-ish, that I felt satisfied.

And then one of them called me last night.

It's super early stages. A pre-screen. A you-tell-us-who-you-are-and-we'll-tell-you-if-we're-even-remotely-into-that kind of meet and greet. But after I took the call a billion little futures exploded in my mind: the submitting of notice, my first week on the job, buying a professional wardrobe. I'm going to let myself go there because I think it's good. I haven't been able to for 7 years at my current job and I'm pretty sure that's why I've been there for 7 years. Gotta be able to see it if you're gonna be it.

So, who knows? If it's not this one, it'll be another one. But there's no use doing what I usually do: immediately trying to bring myself down to earth, telling myself not to get excited, minimizing it, making it seem small so that if it doesn't happen I won't be disappointed. That just doesn't work. And if nothing else, it sure doesn't save me any difficult feelings. I'd rather feel potential disappointment on the other end than miss out on the great feeling of possibility now.

So, fuck it. I'm gonna get excited. There's light at the end of the tunnel...somewhere.
And if nothing else, there's light on top of my head.

Ciao, OneKate

Lighten Up

I've just been in California. I don't get there nearly enough and every time I visit I wonder why I don't just go ahead and vacation there. Why do I always feel I have to go abroad instead of packing up a Dodge Neon from Hertz and heading down the coast to sample tangerine olive oil and ride a bicycle barefoot in some funky yet upscale beach town?

Sadly, this was a work trip and I was stationed in the positively standard Hilton in Oakland. I found myself taking breakfast at that absurd business travel hour of the morning along with all the casual businessmen wearing cotton golf shirts, forced to listen to them talk about Body for Life over grapefruit.

I had some time to kill in the afternoon so I walked to Wal-Mart in hopes of finding beer to take back to my room. All I found was Red Bull and some diet tea with creatine that made me super edgy during an episode of Locked Up Abroad that I watched later from my flowered bedspread. If I were a real business traveler I'd be an alcoholic.

After a few hours trapped in depressive Hilton anonymity, I decided it was time to head for San Francisco. I arrived just as the sun was melting over the tops of the palms. I felt the familiar feeling I always have in California--slightly starstruck, oohhing and aahhing inside over the way the sun reflects off a particular window or a piece of fruit sits high in a tree.

From the moment the taxi picked me up at the airport and I scoffed at the driver's suggestion that I wait for the Hilton shuttle, I felt my east coast cliches slicing through that quality Cali air like a million little X-Acto knives. Hurry, hurry, gotta get to my supremely lonely hotel room so I can sit and watch crime television in the dark. As I walked up and down the gorgeous San Francisco streets carrying my unnecessarily large platinum patent purse I suddenly felt so...sullen. There I was, wearing all black in the middle of a shimmering San Francisco street. No light reflecting off of me, that's for sure. Proof of the sullen suspicion came when I reached Fisherman's Wharf and a "tourist sheriff" tried to arrest me for not smiling.

Since I've been back in the gritty city I've had this urge to shake off the darkness. It was pretty shocking to go somewhere else and act as wound up as people always say New Yorkers are. I do love me some edgy urban intensity, I do. But lately I'm finding myself fantasizing about Cate Blanchett's hair in The Talented Mr. Ripley--California crystal blonde. What if I just lightened up a bit?

(P.S. I got that little raise I asked for. It was little. And way more than a little late. But it might pay for a bleach job)

And Then We Came To...

So, I'm reading this novel, Then We Came To the End, by Joshua Ferris. A friend lent it to me about a month ago and I took to it immediately. To say it's about office culture wouldn't really do it justice, but it does embrace the intricacies of the office microcosm and explores them in squirm-worthy, knowing, lurid detail, all the while hinting at some sort of ending of magnitude. I'm not there yet, but I'm indulging in its many nods to the way functioning in an environment of unmemorable carpet and pressboard shelving can feel like a sort of robbery. Its cover is adorned, edge to edge, in blank yellow Post-It notes--a perfect homage to the empty confinement of spending our days sharing strange space with stranger people, and the surprising blankness of outrage.

I was engrossed last Tuesday night, as usual, when the following passage flew off the page and stopped my heart:

"There was so much unpleasantness in the workaday world. The last thing you ever wanted to do at night was go home and do the dishes. And just the idea that part of the weekend had to be dedicated to getting the oil changed and doing the laundry was enough to make any of us still full from lunch want to lie down and insist that all those who remained committed walk around us. It might not be so bad. They could drop food down to us, or if that was not possible, crumbs from their power bars and bags of microwave popcorn would surely end up within an arm's length sooner or later. The cleaning crews, needing to vacuum, would inevitably turn us on our sides, preventing bedsores, and we could make little toys out of any runs in the carpet, which, in moments of extreme regression, we might suck on for comfort. But enough daydreaming. Our desks were waiting, we had work to do. And work was everything. We liked to think it was family, it was God, it was following football on Sundays, it was shopping with the girls or a strong drink on Saturday night, that it was love, that it was sex, that it was keeping our eye on retirement. But at two in the afternoon with bills to pay and layoffs hovering over us, it was all about the work."

I read and re-read that chunk of text three times before closing the book and nodding off. As I slept it rattled around in my brain like a loose screw I could hear but couldn't locate--irritating, tinkling, eventually banging and demanding I notice it. It was still with me when I woke up. The bit about microwave popcorn (someone's always making that), the reference to runs in the carpet, the way Ferris reminds me how it's really the tiny details that become our undoing in an office rather than the major committments of sin by management against underling. In the end, it's never really the lack of recognition, the passing us over for a better position, the eternal underpaying and overworking. No, it's more the cumulative nothings, like the the fact that The Company didn't invite us to dinner with the huge client even though we scored her in the first place, the sudden end of summer Fridays, insistance that we not eat Chinese food in our offices because they don't like the way it smells, and interrupting our meetings to ask for their messages (of which there are none). It's those idiocies, minor in nature and major in number, that have combined in my work life to numb me nearly to death.

Wednesday morning after reading the above passage, I woke up. I sat in another meeting listening to another spiel about another "opportunity to be seized" and thought, 'I will no longer be someone's opportunity-seizer without real financial compensation for it.' There's just simply a limit to how much work I'll do for The Company for free. And we're way over capacity. Way, way over capacity. So in the afternoon, I walked into management's office and told them that we needed to re-examine my "compensation to contribution" ratio. I have no idea where I got that phrase, but I think the looming fear of falling asleep on a floor covered in microwave popcorn and carpet runs was beginning to unzip me. In response, The Company offered the requisite passive-aggressive reminder of what they've done for me, reminded me of how underpaid everyone in our office is (that's supposed to make it fine??) and ultimately said they'd do something.

The deal is this: I'm building myself a bridge over which to walk into a different life. This job has its term limit, and we're nearing it. It's the next big makeover on the Chrysalis plan and is perhaps the biggest steel anchor of all, weighting me to my old life. It's a place where I regularly allow myself to be undervalued, understimulated, unchallenged and undefined. I've got to insist, no, fucking demand that I save myself from suckling for safety on shreds of blue carpet.

I don't know what'll come of my request for better compensation. In the end, I think it's most important that I asked for it. That I knew to ask for it. I felt it the minute I left The Office--the deep sense that I'd set off a chain of events that couldn't be undone. I guess that was the point.

This Is Me

-"Your self-effacing charms are shot/

-Wake up now to what you are and what you're not/

-You can run, run, run/

-But you can't escape"

-- The Helio Sequence, You can Come to Me

I got dressed to these lyrics today in my empty bedroom. How appropriate. This whole experience of preparing to move has been like having one of those police highbeams shot straight into my center, forcing it to be exposed. I feel like my insides are a maze of closets. Every time I open one up and dust off the bag of postcards or box of shoes at the bottom, another door opens revealing more dust and denial. I've got a deeper closet than I thought--both in spirit and reality. But I'm emptying it slowly, learning a few things along the way and dammit, I can finally see the floor in there.

Cleaning out seven years' worth of me from the inside of our apartment has been one revelation after another. I've reaped the mini rewards of what I call "closet shopping"--browsing the racks in the back of your closet for items you haven't seen in years. In my case, I moved in in 2001 with items I hadn't seen since 1997. A single visit to the stacking cubes in the back of mine yielded the baddest-ass purse ever, featuring a comically huge zipper on the front, 2 pairs of jeans that actually fit, some strappy faux-snakeskin sandals, and a sexy granite colored Calivin Klein v-neck. I thought, 'whose clothes are these? She has really excellent taste. Score.' Lesson: I am in fact capable of picking out "timeless pieces". Nobody will know that purse is over a decade old.

On the very same closet-diving trip, however, I found another me lurking beneath the boxes of socks. Hiding in the racks was a girl who once went to high school in the suburbs and wasn't afraid to show it. I trashed the following: a pair of white overall shorts, a Gap cardigan from...wait...1994 (I know it's that old because I stumbled across a picture from my sister's junior high graduation in 1994 where I was wearing the hideous green button-up with a pair of plaid shorts), and a t-shirt displaying the following identifier: "bad attitude", in splashy type. Gone, all of it! I was ruthless, brutal. That entire section of my life is now at the bottom of a Staten Island landfill. Lesson: it's okay to let go--especially if "letting go" involves overalls of any kind.

Closet also being timeline, I spent awhile browsing the the mid-late '90s. Those were my moving-to-New-York years and they're really fun to revisit. I unearthed: one pair of steel blue vinyl platform heels from Halloween 1997 (relics from my Pamela Anderson costume), my three inch t-strap character shoes (the most elegant dance shoes ever made), and the real jackpot: a box of letters and postcards dated from the day I moved to New York, all through my two years in school and into life after. I took a couple of hours and re-read every one. Pulled from the wreckage were: my mother's written explanation for leaving my father, a greeting card from my grandmother for every single holiday (she was so good), letters of love and adoration of the kind you can only write when you're 20 and single, and postcards from my friends who all took show tours right after graduation through Iowa, Illinois, Kansas, Nebraska. They saw the entire country while I was busy figuring out how to install my first air conditioner in the summer of '97. Lesson: People have made my New York life what it is.

I'm starting to feel emptied out, liberated. I've held on to many things way past their reasonable expiration dates. Some of them need to be burned on a big, 'ol ceremonial pyre (hello, leather pants), some need to be dusted off and reshaped so they can be part of my life again, and some things need to go with me into the next dot on the timeline. Moving is exactly like those lyrics: waking up to what you are and what you are not. I'm definitely not my suburban high school shorts but I might still be a little bit steel blue vinyl. Whatever I am, I'm emptying out so I can make room for more life.

Well We're Movin' On Up

...to a deluxe apartment on the gro-ow-0wnd floor. Mo-oo-vin' on u-up...I don't know any more of that song. But I can finally write my own lyrics. We've found our new home. In Astoria. At last. Phase one of The Chrysalis Year Extreme Makeover Home Edition is officially in effect. Details will follow but first, a few props:

Thanks to the cosmic apartment Gods--those heavenly, lawnmowing, benevolent beings responsible for the assignment of empty spaces to empty people. They finally put us in our place (literally and figuratively). Thanks to George, our celadon-Jag-driving broker, and his negotiation skills. Never before have I seen such an honest attempt at wheelin' and dealin' on behalf of owner and future hopeful tenants. For three days he believed our shtick, we believed his, and that was all anyone needed to know. He: honest purveyor of fine vacated apartments. Us: honest couple in search of an upgrade. He did his job. He broked. We did ours too. We signed our first lease in a decade. It's a milestone of milestones in so many ways. Thanks to our three-legged dog and her pink bandana for being the picture of low maintenance gentility so that the new owner would consider allowing her to prance around on newly refurbished hardwood floors. Thanks also to our current landlord for taking her foot off the insanity pedal for a day so we could plead our case about pro-rating June's rent. And now, to our friends and family: thank you for tolerating endless philosophizing on how much the rental market has changed (duh) in the last decade, being patient while we mused on notions of gentrification versus renovation and borough identity, and helping us (me) locate Prospect Heights on a map. If we hadn't been able to hold in our hearts the vision of breaking bread with you at a table that doesn't have screw-in legs, in a kitchen with a floor that actually touches the walls, I'm not sure we woulda survived signing that two-page, single-spaced lease.

I reserve my final thanks for 35-08 33rd Street. Thank you, beloved chicken shack, for being my first home in a house-shaped home in New York. Thank you for having the kitchen we called all our friends from at 3:30 a.m. the night we got engaged. Thank you for hosting our rehearsal dinner after-party, a crazy drunken holiday cookie exchange, and countless intimate Thanksgiving feasts. Thank you for having just enough space in your living room for a beautiful Christmas tree filled with hand painted wooden ornaments. Thank you for being a private house--a private forum for the noise of living. You were (are) the home I walked out of as a single woman and back into as a married woman. You were (are) my shelter during one of the most significant periods of my life.

Of all the changes I've pushed to introduce in MCY, it stands to reason that this needed to come first. A lovely conversation I had last weekend reminded me of something: outside is in. Inside is out. I talk a lot on this blog about changing the exterior to yield results on the interior. I don't think I ever could've realized how much of a metaphor our living space was becoming. The darkness of living on top of one another was starting to feel like every empty space inside of me was really just a small, dusty hall closet. I have these applications for school sitting in a bag on the living room floor. I haven't been able to touch them. It's because I've needed a clear, new, open space on the outside so that I can make that same space on the inside and actually create something.

It's funny sometimes when things finally shift. It seems like they happen all at once. To me it's a sign that needing to move was some sort of a block. Once it opened opportunities could finally push through. In the same week that we signed the lease, all my remaining transcripts came through so that I can formally apply for school, we started editing Off the Radar and I got my first freelance writing job.

So, I've officially sworn off Craigslist and its hotbed of apartment huting deception and am now knee-deep in modern furniture catalogs instead. I'm in the market for saffron-hued dining room chairs because orange is the color of gratitude.

Me? Me?

Omigosh, it's finally happened. I've been tagged for a Meme (the blogosphere's lengthy answer to the "truth" part of a truth or dare). I'm kinda psyched, actually. I love reading these on other blogs. They're sorta like those "getting to know you" emails where you're asked if you've ever been to Africa and if you prefer hugs or kisses and you roll your eyes but secretely love typing that your favorite food is Mexican. Thanks to the gamely Frantic Puppy I have the opportunity to honestly purge myself of the following wishes, pleasures and regrets. Feels good. Watch out, you're next.


I can't believe I have never...
Gotten on board with Obama. What's wrong with me? It seems such a good fit: the progressive values, eloquence, pro-green-women-gay platform, the saying-all-the-right-things schtick. The celebrity endorsements. The youth vote. The polish and shine. The magazine analyses. The hype. The opinions of so many people I respect. If I'd thought for one second in 2004 when I saw "the speech" that I'd be standing dry outside the big, ol' Obama swimming hole in 2008, I'da been shocked. But honestly, it's just not happening. He's not my guy. There, it's done. I've said it.


I wish I'd...when I had the chance...
This rates second only to wishing I'd gotten an academic education, which I really wish I'd done and I'm really gonna try to do. But that said, I wouldn't take back the education I did get and I'm not sorry I made the choices I made when I did. So, after that, I only wish I'd gone to visit the Liberian refugee camp in Ghana, West Africa when I was there in 2001. The group we traveled with had an opportunity to see firsthand how people at the camp were living after the civil war. Some folks went and some stayed behind. I stayed behind. I've regretted it for 7 years. I guess I was on overload. We were maybe a week or more into the trip and I'd reached maximum density. It was my first experience with the poverty of a developing nation and I was afraid of what I'd see and how I'd feel and I felt myself sort of going numb and no longer taking in the experience. So I didn't go. I missed an opportunity to see for myself the failures of the UN and the lives of people who were living in conditions beyond anything I could fathom. It would've given me an even greater perspective than I'd already been granted on that trip as well as a deeper connection to the people in the region, and I'm really, really sorry I missed it.


I've never felt so out of place as when I...
Last stood in a room full of actors at an audition about six years ago. Self-producing kept me nice and comfortable in the roles I cast myself in so on a lark I felt it was time to "get out there" and fire off an audition to keep the muscle exercised. The sides were on little slips of paper like the ones you write the name of your secret santa on and all the actors were standing around in a hallway prepping with these tiny strips in their hands. The breakdown called for "Freaks, pimps, glamour girls and Eurotrash". Now, don't ask me why but at the time I felt I could play Eurotrash. It must've been the "trash" that I connected to. And for some odd reason I wore silver satin pants. I guess I sorta felt they were Euro in a way. Flashy. I had some seriously contrasting blonde highlights at the time and I can still see myself walking up to the building in my disco pants, wearing a scarf (actorly!) and a pair of cheap pleather platforms ready to blow them away with my faux-Berlin persona. I knew immediately it wasn't my crowd. This was a room full of young, ingenue-y, waifish girls pulling off that wispy, tight-jeaned vulnerability with ease. And there I was, sparkling and cheap (but not Eurocheap) standing akwardly in plastic shoes. Insecure but not delicately vulnerable. I felt sorta like an Elvis impersonator in a performance of Swan Lake. I selected my sides (a poem about how my ass looked in jeans--another mistake) and tried to prep, at that point more as an exercise in pain tolerance than a genuine desire to play Eurotrash. When I went in to audition, I got about 2 lines in, uttered the word "orbs" in reference to my ass cheeks and from the dark came "thanks so much". I'm absolutely positive it was the pants.


My guilty pleasure is...
Oh, The Hills. I love it. It thrills with its urban Cali setting, jetting off to Crested Butte, drone-y boys and foolish control battles. I love its voiceovers and personal revelations. I love its megabitch and super-sweet, the flip flops, baby doll dresses, fashion internships and product endorsements. I love Heidi's fake tits storyline and her faux relationship with Spencer and Lauren's work trip to Paris. I love Audrina's ridiculous name. Audrina Patridge. Mostly I just love to put it on and listen to the monotonous voices of the young and lovely hash out the business of being beautiful and burdened with bad boyfriends. De-lish.


I hope...knows how grateful I am...
I think my husband knows how grateful I am that he's my cosmic twin. But he may not know how grateful I am that he's a hopeful person with great compassion. He might be unaware that I'm grateful he's profoundly dark and funny and imaginative. He probably has no idea how grateful I am that he eats my food, listens to Edie Brickell with me when I'm on a tear and calls me "ma'am" when I'm being naggy. What a man, what a man, what a mighty good man.


In my darkest hour I secretly blame...
God. Myself. We compete for first place. Though, I do thank God that I don't blame my parents anymore.


...changed my life forever...
In chronological order: The Michael Jackson Thriller concert, Prince, The Cure, Siouxsee Sioux, drugs, dropping out of high school, black hair dye, Morrissey, moving to New York, sleeping at the bottom of the Grand Canyon, Africa, This Woman's Work, getting married, losing my grandparents, finding our perfect dog, Gogol Bordello.


Every time I think about...I still cringe...
The first time I went on air on QVC in the U.S. I'm cringing so hard I can barely type. This also gets second place for the "I've never felt so out of place as when I" paragraph. I was replacing a former platinum blonde Mrs. America who'd repped our brand for a fucking decade, I had a severe updo and looked like the mistress at an orphanage circa 1935, I was under pressure to save our company financially in this one four minute spot and I was presenting cosmetics in a home show. I came just after the "mini aquarium" and just before the "car wash in a bottle". We sold 137 of 7200 items in stock. When I came off air there was no one to greet me. It's a "coffee is for closers" kinda environment. You only get an escort out of the studio if you sell mega product. I walked myself off the set and was greeted by a curt and hurried PA who pulled my mic quipment off in silence. Cringe.

So, now I gotta tag and keep the honesty comin'. Whatagoodguy, you're SO it.
Yours, OneKate